The cheapest MiniMax H3 is here,$0.013/s
Minimax H3 Recast — New Faces on Your Finished Edit
Hand over a clip and a set of portraits. Minimax H3 Recast keeps every performance beat, cut and audio cue, replacing only the performers you see.
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Minimax H3 Recast

Minimax H3 Recast swaps faces in footage you have already cut — portraits replace the on-screen cast while the acting, cuts and audio stay intact.

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The Case for Minimax H3 Recast

Minimax H3 Recast reworks the cast of an edit that is already locked, changing only the faces on screen and leaving everything that already works untouched.

  • Recast a clip that is already locked
    Feed an existing video to Minimax H3 Recast along with your portraits, and it drops those new faces into the roles instead of shooting anything from scratch.
  • The same face holds across every cut
    Match the order of your uploads to where each performer sits on screen, and that pairing survives the jump cuts, angle changes and inserts throughout the sequence.
  • Your source clip provides the performance
    Glances, timing, expression, set lighting and camera movement all remain exactly as captured — the faces and the outfits they wear arrive from the images you supply.

Running Minimax H3 Recast in Three Steps

Take an edited clip to a completely new lineup of performers with Minimax H3 Recast in three short steps.

Inside Minimax H3 Recast

What Minimax H3 Recast brings to a locked edit — a performer swap that never disturbs the acting, the cut, the soundtrack or the framing.

Four performers, mapped left to right

You can bring in as many as four new faces; each takes a lead role according to the sequence you choose and stays with that role through every shot they appear in.

Text prompt to redraw the casting map

When the default screen-order assignment is not the match you want, a written instruction tells the tool who becomes whom.

The acting survives; the faces do not

No part of the performance is rebuilt — timing, expression, lighting and camera path all originate in your source file, while faces and clothing are drawn from your reference photos.

Edit rhythm and audio pass through untouched

The tempo of the cut and the audio beneath it come through unchanged, so the result is your existing film with different leads — not a rebuild from zero.

Low-res preview first, 1080p for delivery

Screen the pairing on an inexpensive low-resolution run before committing to full-resolution output; what you pay follows the duration of the clip.

Hairstyle and wardrobe come from the photo

If your reference shows more than a head, the hairstyle and clothing travel with it; a half-body frame reproduces them far more faithfully than a close-up of the face.

FAQ

Minimax H3 Recast: Questions Answered

The details people ask about most before running a cast change with Minimax H3 Recast.

1

What is Minimax H3 Recast designed to do?

It performs a cast substitution rather than generating a video from nothing. The portraits you upload take the roles held by the people in your footage, while movement, framing, edits and audio all carry over from the original file.

2

Is there a length limit on my source clip?

The clip has to fall between 5 and 30 seconds, and no individual shot may run past 15 seconds. Split longer takes before you upload, because the finished file comes back the same length as the input.

3

How many performers can I replace, and how is the order decided?

Up to four people, each with a portrait of their own. The tool maps them onto the leads in screen order by default, so arrange your uploads to match; a written instruction can change that assignment.

4

Which reference photos give the best results?

One sharp, evenly lit, front-facing portrait per person. Half-body framing carries hairstyle and clothing across more accurately than a tight head crop. Avoid sunglasses, hats, hidden faces, group photos, heavy filters and blurry shots.

5

Do I need 768p or 1080p?

Preview in low resolution first to confirm the pairing, then render the final piece at 1080p. Since cost follows clip length, that first pass is the cheap way to catch a mismatch.

6

When is Minimax H3 Recast the wrong choice?

Skip it when the footage itself must change — different action, different camera work, a different setting — because all of that comes from your source. Results also suffer with dense crowds, distant or tiny faces, fast motion, and objects covering the face after a hard cut. On long takes, or when someone turns to profile, the likeness can drift back toward the original performer.

Put Minimax H3 Recast to Work on Fuser

Drop new performers into footage that is already edited and mixed; the rhythm, camera moves and sound you captured stay precisely as they were.